Overview

I have been teaching at Haverford College since 2009.  I teach documentary production and theory, build curricular and co-curricular programs, and curate film series, as Visiting Senior Lecturer in Visual Studies.

Read: Three Questions for Vicky Funari: The award-winning filmmaker talks about the challenges of teaching documentary production.

Teaching Statement

Courses

Documentary Film and Approaches to Truth

A class exploring the challenge of truth-telling in the documentary tradition.  It engages both theory and practice, using readings, film viewings, discussions, and exercises in video production and editing.

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Introduction to Documentary Video Production

A studio class that includes production of short documentaries, weekly film viewings and discussions, and readings on documentary history and theory.

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Advanced Documentary Media Production

A studio class that explores the craft of documentary filmmaking beyond the basics.  Students hone their camera and editing skills and learn basic producer’s skills, including proposal writing, legal frameworks, and distribution trends, completing fully-developed short digital video documentaries by end of semester.

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The Documentary Body: Advanced Media Production  

Explores documentary representations of bodies: human, animal, urban, virtual, geographic, machine.  A studio class that explores the craft of documentary filmmaking beyond the basics.  Students hone their camera and editing skills and learn basic producer’s skills, including proposal writing, legal frameworks, and distribution trends, completing fully-developed short digital video documentaries by end of semester.

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Latin American Documentary Cinema

An introduction to the content, form and politics of documentary films from Latin America, from the birth of New Latin American Cinema to the present.

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Programs

At Haverford College, I have helped build mediamaking capacity and programs over the past decade.  Both a new Visual Studies Minor and a media arts building, VCAM, were launched in Fall 2017.  These, along with a plethora of programs including DocuLabs, Strange Truth, and the Flaherty Seminar Scholars program, are transforming Haverford College into an institution that can fully support 21st Century explorations into the theory, practice, and exhibition of moving image media.

Visual Studies Program

As a member of the Visual Studies Working Group from 2016-2018, I am proud to be part of the team that shaped, proposed, and launched the new Visual Studies Interdisciplinary Minor at Haverford College.

Interdisciplinary Visual Studies Minor
Visual Studies Minor Faculty

VCAM

I have been active in the transformation of the College’s old Ryan Gym into our new media arts building: VCAM – Center for Visual Culture, Arts, and Media.  I was part of the broad team of faculty, staff, and students who helped envision the building and who weighed in on design elements important to our pedagogical and research work.  The resulting facility is a quantum leap forward in our ability to teach, make, and exhibit media arts at the College. The renovation, by the wonderful architects at MSR Design, won an American Institute of Architects (AIA) Award of Excellence in 2018.

Visual Culture, Arts & Media (VCAM)

Tri-Co Film Festival

The annual Tri-Co Film Festival showcases exemplary film and media work by students in the Tri-College consortium of Haverford, Bryn Mawr, and Swarthmore Colleges.  Highlighting the diversity of media production within the Tri-Co, the program seeks work that demonstrates creativity, craft, and intentionality across a variety of genres and aesthetics.

Since its founding in 2012, I have helped organize and develop the festival and strategize for its sustainability.  The Tri-Co Film Festival is now a well-established program, supported by faculty and staff from all three colleges.  The festival is supported by the Film and Media Studies Department at Swarthmore College, the Film Studies Program at Bryn Mawr College, the John B. Hurford ‘60 Center for the Arts and Humanities at Haverford College, and the Bryn Mawr Film Institute.

Additional Links

Tri-Co Film Fest
About the Festival

HCAH Flaherty Seminar Scholars Program for Students, Faculty, and Staff

With the support of the John B. Hurford ‘60 Center for the Arts and Humanities (HCAH), I designed a fellowship to send students, faculty and staff to attend the Flaherty Seminar each June.  The weeklong Seminar is one of the most important annual documentary events in the country, bringing together filmmakers, artists, curators, scholars, students, and film enthusiasts to celebrate the power of the moving image.  The two student scholars we send go on to curate an on-campus event, showing a program of works they saw at the Seminar.  The long-term goal is to build film culture at the College by connecting the College’s film community to the larger documentary film community.

Informational PDF
Summer Centered: Sarah Moses ‘16 and Harlow Figa ‘16 Zoom in on Documentary Filmmaking

What You See Is What You Get:  Vision, Knowledge, and Technology Across the Disciplines

WYSIWYG was a series of conversations for anyone at Haverford College interested in visual studies, broadly construed.  The series allowed members of our academic community to discuss ideas, questions, histories, practices, and possibilities.  Held during the 2012-2013 academic year, WYSIWYG was convened by Associate Provost Maris Gillette, Postdoctoral Fellow John Muse, and myself.  It was supported by the Haverford College Libraries, the John B. Hurford ‘60 Center for the Arts and Humanities, and the Provost’s Office.  The WYSIWYG discussion series was a key step in developing our guiding concepts for both VCAM and the Visual Studies Program.

Interdisciplinary

Programming

Student Work

Triptych (2013)

By Hilary Brashear

A documentary collage of three unique identities coming together to redefine love in a polyamorous relationship.

Watch Triptych

WAKE (2014)

By Hilary Brashear

Four years after the Deepwater Horizon rig spilled 4.9 million barrels of oil into the Gulf of Mexico, WAKE meditates on the continued presence of the oil industry in southern Louisiana. By bringing together the perspectives of scientists, environmentalists, oil industry workers, and Louisiana residents, WAKE asks: What do we do with an industry that supports the livelihoods of millions of people and yet destroys the environment we all live in? Directed and edited by Hilary Brashear. 

Watch Wake

Welcome to Brasso Seco

Edited by Hayle Meyerhoff

Watch Welcome to Brasso Seco

Green Market

Edited by Hayle Meyerhoff

Watch Green Market

Watching the Watchers

Directed by Katie Rodgers

Watching the Watchers is a playful exploration of birders who gather in Trinidad & Tobago from all across the world to see the vivid and rare birds of the islands.

Watch Watching the Watchers

Life Itself

Directed by Hayle Meyerhoff

A film about alternative agricultural practices in Trinidad and Tobago. The story features two examples of these practices as told by Carl Fitzjames and Vicki Assevero. Using a wide array of images of Trinidad and Tobago, the Film is a celebration of the country’s beauty and those who, through agriculture, are working to preserve it.

Watch Life Itself

Spring Break Field Study to Trinidad & Tobago

Edited by Hayle Meyerhoff

Watch Spring Break Field Study to Trinidad & Tobago

More films coming soon