Overview
I have been teaching at Haverford College since 2009. I teach documentary production and theory, build curricular and co-curricular programs, and curate film series, as Visiting Senior Lecturer in Visual Studies.
Courses
Documentary Film and Approaches to Truth
A class exploring the challenge of truth-telling in the documentary tradition. It engages both theory and practice, using readings, film viewings, discussions, and exercises in video production and editing.
Introduction to Documentary Video Production
A studio class that includes production of short documentaries, weekly film viewings and discussions, and readings on documentary history and theory.
Advanced Documentary Media Production
A studio class that explores the craft of documentary filmmaking beyond the basics. Students hone their camera and editing skills and learn basic producer’s skills, including proposal writing, legal frameworks, and distribution trends, completing fully-developed short digital video documentaries by end of semester.
The Documentary Body: Advanced Media Production
Explores documentary representations of bodies: human, animal, urban, virtual, geographic, machine. A studio class that explores the craft of documentary filmmaking beyond the basics. Students hone their camera and editing skills and learn basic producer’s skills, including proposal writing, legal frameworks, and distribution trends, completing fully-developed short digital video documentaries by end of semester.
Latin American Documentary Cinema
An introduction to the content, form and politics of documentary films from Latin America, from the birth of New Latin American Cinema to the present.
Programs
At Haverford College, I have helped build mediamaking capacity and programs over the past decade. Both a new Visual Studies Minor and a media arts building, VCAM, were launched in Fall 2017. These, along with a plethora of programs including DocuLabs, Strange Truth, and the Flaherty Seminar Scholars program, are transforming Haverford College into an institution that can fully support 21st Century explorations into the theory, practice, and exhibition of moving image media.
Visual Studies Program
As a member of the Visual Studies Working Group from 2016-2018, I am proud to be part of the team that shaped, proposed, and launched the new Visual Studies Interdisciplinary Minor at Haverford College.
Interdisciplinary Visual Studies Minor
Visual Studies Minor Faculty
VCAM
I have been active in the transformation of the College’s old Ryan Gym into our new media arts building: VCAM – Center for Visual Culture, Arts, and Media. I was part of the broad team of faculty, staff, and students who helped envision the building and who weighed in on design elements important to our pedagogical and research work. The resulting facility is a quantum leap forward in our ability to teach, make, and exhibit media arts at the College. The renovation, by the wonderful architects at MSR Design, won an American Institute of Architects (AIA) Award of Excellence in 2018.
Tri-Co Film Festival
The annual Tri-Co Film Festival showcases exemplary film and media work by students in the Tri-College consortium of Haverford, Bryn Mawr, and Swarthmore Colleges. Highlighting the diversity of media production within the Tri-Co, the program seeks work that demonstrates creativity, craft, and intentionality across a variety of genres and aesthetics.
Since its founding in 2012, I have helped organize and develop the festival and strategize for its sustainability. The Tri-Co Film Festival is now a well-established program, supported by faculty and staff from all three colleges. The festival is supported by the Film and Media Studies Department at Swarthmore College, the Film Studies Program at Bryn Mawr College, the John B. Hurford ‘60 Center for the Arts and Humanities at Haverford College, and the Bryn Mawr Film Institute.
Additional Links
HCAH Flaherty Seminar Scholars Program for Students, Faculty, and Staff
With the support of the John B. Hurford ‘60 Center for the Arts and Humanities (HCAH), I designed a fellowship to send students, faculty and staff to attend the Flaherty Seminar each June. The weeklong Seminar is one of the most important annual documentary events in the country, bringing together filmmakers, artists, curators, scholars, students, and film enthusiasts to celebrate the power of the moving image. The two student scholars we send go on to curate an on-campus event, showing a program of works they saw at the Seminar. The long-term goal is to build film culture at the College by connecting the College’s film community to the larger documentary film community.
Informational PDF
Summer Centered: Sarah Moses ‘16 and Harlow Figa ‘16 Zoom in on Documentary Filmmaking
What You See Is What You Get: Vision, Knowledge, and Technology Across the Disciplines
WYSIWYG was a series of conversations for anyone at Haverford College interested in visual studies, broadly construed. The series allowed members of our academic community to discuss ideas, questions, histories, practices, and possibilities. Held during the 2012-2013 academic year, WYSIWYG was convened by Associate Provost Maris Gillette, Postdoctoral Fellow John Muse, and myself. It was supported by the Haverford College Libraries, the John B. Hurford ‘60 Center for the Arts and Humanities, and the Provost’s Office. The WYSIWYG discussion series was a key step in developing our guiding concepts for both VCAM and the Visual Studies Program.
Interdisciplinary
Programming
Student Work
Triptych (2013)
By Hilary Brashear
A documentary collage of three unique identities coming together to redefine love in a polyamorous relationship.
WAKE (2014)
By Hilary Brashear
Four years after the Deepwater Horizon rig spilled 4.9 million barrels of oil into the Gulf of Mexico, WAKE meditates on the continued presence of the oil industry in southern Louisiana. By bringing together the perspectives of scientists, environmentalists, oil industry workers, and Louisiana residents, WAKE asks: What do we do with an industry that supports the livelihoods of millions of people and yet destroys the environment we all live in? Directed and edited by Hilary Brashear.
Welcome to Brasso Seco
Edited by Hayle Meyerhoff
Watch Welcome to Brasso Seco
Green Market
Edited by Hayle Meyerhoff
Watch Green Market
Watching the Watchers
Directed by Katie Rodgers
Watching the Watchers is a playful exploration of birders who gather in Trinidad & Tobago from all across the world to see the vivid and rare birds of the islands.
Life Itself
Directed by Hayle Meyerhoff
A film about alternative agricultural practices in Trinidad and Tobago. The story features two examples of these practices as told by Carl Fitzjames and Vicki Assevero. Using a wide array of images of Trinidad and Tobago, the Film is a celebration of the country’s beauty and those who, through agriculture, are working to preserve it.
Spring Break Field Study to Trinidad & Tobago
Edited by Hayle Meyerhoff
More films coming soon